ART:21 - ART IN THE TWENTY-FIRST CENTURY, Season Two, is a 4-part series premiering September 9 and 10 at 9:00 p.m. on PBS. These images are to be used solely for the promotion of the PBS series ART:21 - ART IN THE TWENTY-FIRST CENTURY. The specified credit must appear when published. Contact: Adina Barnett, Kelly & Salerno Communications, 203-863-1008 / adina@kellysalerno.com |
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John Waters, program host Photo by Peter Krogh |
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Kara Walker Courtesy Art21 |
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Kara Walker Cut, 1998 Cut paper and adhesive on wall, 7 feet 4 inches x 4 feet 6 inches Collection of Donna and Cargill MacMillan Courtesy Brent Sikkema, New York |
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Kara Walker Insurrection! (Our Tools were Rudimentary, Yet We Pressed On), 2002 Installation view at the Solomon R. Guggenheim Museum, New York Projection, cut paper and adhesive on wall, 12 x 74 1/2 feet Collection of Solomon R. Guggenheim Museum, New York Photography courtesy Solomon R. Guggenheim Museum, New York |
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Kiki Smith Courtesy Art21 |
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Kiki Smith My Blue Lake, 1994 Photogravure and monoprint, 42 1/2 x 53 1/2 inches Edition of 41 Courtesy PaceWildenstein Photo by Ellen Page Wilson |
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Kiki Smith Rapture, 2001 Bronze, 67 1/4 x 62 x 26 1/4 inches Edition of 3 Courtesy PaceWildenstein Photo by Richard-Max Tremblay |
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Do-Ho Suh Courtesy Art21 |
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Do-Ho Suh Doormat: Welcome (Amber) detail, 1998 Polyurethane rubber, 1 1/4 x 28 x 19 inches Edition of 5 Courtesy the Artist and Lehmann Maupin Gallery, New York |
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Do-Ho Suh Some/One, installation view, 2001, Korean Pavilion, Biennale di Venezia, Venice, Italy Stainless steel military dog tags, nickel plated copper sheets, steel structure, glass fiber reinforced resin, rubber sheets Figure: 81 x 126 inches in diameter, overall dimensions variable Edition of 3 Courtesy the Artist and Lehmann Maupin Gallery, New York |
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Trenton Doyle Hancock Courtesy Art21 |
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Trenton Doyle Hancock Rememor with Membry, 2001 Acrylic on canvas, 54 x 66 inches Collection of the Whitney Museum of American Art, New York |
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Trenton Doyle Hancock I,I,I,I, Etc ... , 2002 Graphite, acrylic, and ink on paper, 11 1/2 x 9 3/4 inches Collection of Suzanne and Howard Feldman, New York Courtesy James Cohan Gallery, New York |
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Jane Alexander, program host | |
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Collier Schorr Courtesy Art21 |
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Collier Schorr Blow-Up, 1999 C-print, 19 x 14 inches Edition of 5 Courtesy 303 Gallery, New York |
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Collier Schorr Forest Bed Blanket (Black Velvet), 2001 C-print, 35 x 44 inches Edition of 5 Courtesy 303 Gallery, New York |
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Gabriel Orozco Courtesy Art21 |
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Gabriel Orozco Black Kites, 1997 Graphite on skull, 8 1/2 x 5 x 6 1/4 inches Collection of the Philadelphia Museum of Art: Gift (by exchange) of Mr. & Mrs. James P. Magill, 1997 |
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Gabriel Orozco Well, 2002 Fuji crystal chromogenic archive c-print, 33 3/4 x 46 3/4 inches Edition of 3 Courtesy the Artist and Marian Goodman Gallery, New York |
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Janine Antoni Courtesy Art21 |
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Janine Antoni Coddle, 2001 Cibachrome print and hand carved frame, 21 1/2 x 16 inches Courtesy the Artist and Luhring Augustine, New York |
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Janine Antoni Moor, 2001 Handmade rope made by materials donated to the artist by friends and family, 280 feet Installation view: Magasin 3 Stockholm Konsthall, Sweden, Free Port exhibition Collection of Magasin 3 Stockholm Konsthall Courtesy the Artist and Magasin 3 Stockholm Konsthall |
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Merce Cunningham, program host Still from Blue Studio: Five Segments, 1975-76 Collaboration with Charles Atlas Video tape, color, silent, 16 minutes Courtesy Charles Atlas |
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Martin Puryear Courtesy Art21 |
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Martin Puryear Ladder for Booker T. Washington, 1996 Ash, 438 x 22 3/4 x 1 1/4 inches Installation view at the Modern Art Museum of Fort Worth, Texas Collection of the Artist Photo © David Woo |
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Martin Puryear Untitled, 1993-1994 Mortared fieldstone, 18 x 14 feet Oliver Ranch, Geyserville, California Photo © Wardell Photography |
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Paul Pfeiffer Courtesy Art21 |
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Paul Pfeiffer Four Horsemen of the Apocalypse (6), 2001 Digital duraflex print, 60 x 48 inches Edition of 6, AP of 1 Courtesy the Artist and The Project, New York and Los Angeles |
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Paul Pfeiffer The Long Count (Rumble in the Jungle), 2001 Digital video loop, LCD monitor, DVD player, and metal armature, 6 x 7 x 60 inches Edition of 6, AP of 1 Courtesy the Artist and The Project, New York and Los Angeles Photo by Erma Eastwick |
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Vija Celmins Courtesy Art21 |
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Vija Celmins Drawing, Saturn, 1982 Graphite on acrylic ground on paper, 14 x 11 inches Collection of Paine Webber Group Inc., New York Courtesy McKee Gallery, New York |
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Vija Celmins Untitled (Web 2), 2001 Mezzotint on Hahnemühle Copperplate paper, 18 x 14 3/4 inches Edition of 50, AP of 10 Published by Lapis Press, Los Angeles Courtesy McKee Gallery, New York |
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Tim Hawkinson Courtesy Art21 |
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Tim Hawkinson Emotor (detail), 2001 Mixed media: image, 49 x 36 x 4 inches; ladder, 27 x 24 x 19 inches; cable, 174 feet Private collection Courtesy Ace Gallery |
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Tim Hawkinson Drip, 2002 Polyethylene, vinyl, aluminum, mechanical components, water, Dimensions variable Collection of Ace Gallery |
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Margaret Cho, program host |
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Eleanor Antin Courtesy Art21 |
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Eleanor Antin The Artist's Studio from The Last Days of Pompeii, 2001 Chromogenic print, 46 5/8 x 58 5/8 inches Courtesy Ronald Feldman Fine Arts, New York |
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Eleanor Antin The Golden Death from The Last Days of Pompeii, 2001 Chromogenic print, 58 5/8 x 46 5/8 inches Courtesy Ronald Feldman Fine Arts, New York |
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Raymond Pettibon Courtesy Art21 |
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Raymond Pettibon Installation view, Raymond Pettibon, Museum of Contemporary Art, Los Angeles, 1999-2000 Courtesy Regen Projects, Los Angeles Photo by Joshua White |
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Raymond Pettibon No title (There is a touch of poetry...), 1997 Ink and watercolor on paper, 16 3/4 x 8 1/2 inches Collection Zoe and Joel Dictrow, New York Courtesy Regen Projects, Los Angeles Photo by Joshua White |
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Elizabeth Murray Courtesy Art21 |
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Elizabeth Murray Bop, 2002-2003 Oil on canvas, 9 feet 10 inches x 10 feet 10 1/2 inches Courtesy PaceWildenstein Photo by Ellen Page Wilson |
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Elizabeth Murray Empire, 2001 Watercolor on paper, 18 x 17 1/2 inches Courtesy PaceWildenstein Photo by Ellen Page Wilson |
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Walton Ford Courtesy Art21 |
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Walton Ford Madagascar, 2002 Watercolor, gouache, ink and pencil on paper, 120 x 60 inches Private collection, San Francisco Courtesy the Artist and Paul Kasmin Gallery |
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Walton Ford Falling Bough, 2002 Watercolor, gouache, ink and pencil on paper, 60 3/4 x 119 1/2 inches Private collection, Tennessee Courtesy the Artist and Paul Kasmin Gallery |
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For Printing (EPS Files) |
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For Web Use (JPEG Files) |
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| Contact: Adina Barnett, Kelly & Salerno Communications, 203-863-1008 / adina@kellysalerno.com | ||